Wood Identification Guide

by Eric Meier

When attempting to identify a wood sample, it’s important to keep in mind the limitations and obstacles that are present in our task. Before starting, please have a look at The Truth Behind Wood Identification to approach the task in a proper mindset; I consider the linked article to be required reading for all those visiting my site with the intent of identifying wood.

1. Confirm it is actually solid wood.

Before proceeding too much farther into the remaining steps, it’s first necessary to confirm that the material in question is actually a solid piece of wood, and not a man-made composite or piece of plastic made to imitate wood.

A solid piece of Cocobolo: note how the grain naturally wraps around the sides and endgrain of the wood.

Can you see the end-grain? 

Manufactured wood such as MDF, OSB, and particleboard all have a distinct look that is—in nearly all cases—easily distinguishable from the endgrain of real wood. Look for growth rings—formed by the yearly growth of a tree—which will be a dead-giveaway that the wood sample in question is a solid, genuine chunk of wood taken from a tree.

Viewing the end of this “board” reveals its true identity: particleboard.

Is it veneered? 

If you see a large panel that has a repeating grain pattern, it may be a veneer. In such cases, a very thin layer of real wood is peeled from a tree and attached to a substrate; sometimes the veneer can be one continuous repeating piece because it is rotary-sliced to shave off the veneer layer as the tree trunk is spun by machines. Assuming it is a real wood veneer with a distinct grain and texture—and not merely a piece of printed plastic—you may still be able to identify the outer veneer wood in question, but you should still realize that is it only a veneer and not a solid piece of wood.

Large repeating patterns suggest a veneer.

Is it painted or printed to look like wood? 

Many times, especially on medium to large-sized flat panels for furniture, a piece of particleboard or MDF is either laminated with a piece of wood-colored plastic, or simply painted to look like wood grain. Many of today’s interior hardwood flooring planks are good examples of these pseudo-wood products: they are essentially a man-made material made of sawdust, glues, resins, and durable plastics.

2. Look at the color.

Some questions to immediately ask yourself:

Is the color of the wood natural, or is it stained?

If there is even a chance that the color isn’t natural, the odds are increased that the entire effort of identifying the wood will be in vain.

The reddish brown stain used on this piece of Jatoba (Hymenaea courbaril) has been planed away on top, exposing the paler color of the raw wood underneath.

Is it weathered or have a patina?

Many woods, when left outside in the elements, tend to turn a bland gray color. Also, even interior wood also takes on a patina as it ages: some woods get darker, or redder, and some even get lighter or lose their color; but for the most part, wood tends to darken with age.

Fresh sanding near the end of this Osage Orange (Maclura pomifera) board has exposed the characteristic yellow coloration of the wood, which has a strong tendency to shift down to a golden brown over time.

Is it possible to sand or plane the board to see the natural raw color of the wood?

The most predictable baseline to use when identifying wood is in a freshly sanded state. This eliminates the chances of a stain or natural aging skewing the color diagnosis of the wood.

3. Observe the wood grain.

If the wood is unfinished, then look at the texture of the grain. Ask yourself these questions:

Does the wood have an open, porous texture?

Most softwoods will be almost perfectly smooth with no grain indentations, while many common hardwoods have an open pore structure, such as oak or mahogany; though there are some hardwoods that are also smooth to the touch, such as maple.

Can you tell if the wood is quartersawn or plainsawn?

By observing the grain patterns, many times you can tell how the board was cut from the tree. Some wood species have dramatically different grain patterns from plainsawn to quartersawn surfaces. For instance, on their quartersawn surfaces, lacewood has large lace patterns, oak has flecks, and maple has the characteristic “butcher block” appearance.

Is there any figure or unusual characteristics, such as sapwood, curly or wild grain, burl/knots, etc.?

Some species of wood have figure that is much more common than in other species: for example, curly figure is fairly common in soft maple, and the curls are usually well-pronounced and close together. Yet when birch or cherry has a curly grain, it is more often much less pronounced, and the curls are spaced farther apart.

Curly Maple (sealed)
The strong, tight curl seen in this wood sample is very characteristic of Maple (Acer spp.).

4. Consider the weight and hardness of the wood.

If it’s possible, pick the piece of wood up and get a sense of its weight, and compare it to other known wood species. Try gouging the edge with your fingernail to get a sense of its hardness. If you have a scale, you can take measurements of the length, width, and thickness of the wood, and combine them to find the density of the wood. This can be helpful to compare to other density readings found in the database. When examining the wood in question, compare it to other known wood species, and ask yourself these questions:

Is the wood dry?

Wood from freshly felled trees, or wood that has been stored in an extremely humid environment will have very high moisture contents. In some freshly sawn pieces, moisture could account for over half of the wood’s total weight! Likewise, wood that has been stored in extremely dry conditions of less than 25% relative humidity will most likely feel lighter than average.

How does the wood’s weight compare to other species?

Taking into account the size of the board, how does its weight compare to other benchmark woods? Is it heavier than oak? Is it lighter than pine? Look at the weight numbers for a few wood species that are close to yours, and get a ballpark estimate of its weight.

A piece of Lignum Vitae is weighed on a small digital scale.

How hard is the wood? 

Obviously softwoods will tend to be softer than hardwoods, but try to get a sense of how it compares to other known woods. Density and hardness are closely related, so if the wood is heavy, it will most likely be hard too. If the wood is a part of a finished item that you can’t adequately weigh, you might be able to test the hardness by gouging it in an inconspicuous area. Also, if it is used in a piece of furniture, such as a tabletop, a general idea of its hardness can be assessed by the number and depth of the gouges/dings in the piece given its age and use. A tabletop made of pine will have much deeper dents than a tabletop made of Oak. Additionally, you can always try the “fingernail test” as a rough hardness indicator:  find a crisp edge of the wood, and with your fingernail try to push in as hard as you can and see if you’re able to make a dent in the wood.

5. Consider its history.

Many times we forget common sense and logic when attempting to identify wood. If you’ve got a piece of Amish furniture from Pennsylvania, chances are more likely that the wood  will be made of something like black walnut or cherry, and not African wenge or jatoba. You might call it “wood profiling,” but sometimes it can pay to be a little prejudiced when it comes to wood identification. Some common-sense questions to ask yourself when trying to identify a piece of wood:

Where did it come from?

Knowing as much as you can about the source of the wood—even the smallest details—can be helpful. If the wood came from a wood pile or a lumber mill where all the pieces were from trees processed locally, then the potential species are immediately limited. If the wood came from a builder of antique furniture, or a boat-builder, or a trim carpenter: each of these occupations will tend to use certain species of woods much more often than others, making a logical guess much simpler.

Despite its discoloration and wear, it’s very likely that this rolling pin is made of hard maple.

How old is it?

As with the wood’s source, its age will also help in identification purposes. Not only will it help to determine if the wood should have developed a natural patina, but it will also suggest certain species which were more prevalent at different times in history. For instance, many acoustic guitars made before the 1990s have featured Brazilian rosewood backs/sides, yet due to CITES restrictions placed upon that species, East Indian rosewood became a much more common species on newer guitars. (And this is a continuing shift as newer replacements are sought for rosewoods altogether.)

How large is the piece of wood?

Some species of trees are typically very small—some are even considered shrubs—while others get quite large. For instance, if you see a large panel or section of wood that’s entirely black, chances are it’s either painted, dyed, or stained: Gaboon ebony and related species are typically very small and very expensive.

What is the wood’s intended use?

Simply knowing what the wood was intended for—when considered in conjunction with where it came from and how old it is—can give you many clues to help identify it. In some applications, certain wood species are used much more frequently than others, so that you can make an educated guess as to the species of the wood based upon the application where it was used. For instance, in the United States: many older houses with solid hardwood floors have commonly used either red oak or hard maple; many antique furniture pieces have featured quartersawn white oak; many violins have spruce tops; many closet items used aromatic red cedar, and so forth. While it’s not a 100% guarantee, “profiling” the wood in question will help reduce the number of possible suspects, and aid in deducing the correct species.

6. Find the X-Factor.

Sometimes, after all the normal characteristics of a sample have been considered, the identity of the wood in question is still not apparent. In these instances—particularly in situations where a sample has been narrowed down to only a few possible remaining choices—it’s sometimes helpful to bring in specialized tests and other narrower means of identification.

The following techniques and recommendations don’t necessarily have a wide application in initially sorting out wood species and eliminating large swaths of wood species, but will most likely be of use only as a final step in special identification circumstances.

Odor

Believe it or not, freshly machined wood can have a very identifiable scent. When your eyes and hands can’t quite get a definitive answer, sometimes your nose can. Assuming there is no stain, finish, or preservative on or in the wood, quickly sand, saw, or otherwise machine a section of the wood in question, and take a whiff of the aroma.

Although new scents can be very difficult to express in words, many times the scent of an unknown wood may be similar to other known scents. For instance, rosewoods (Dalbergia spp.) are so named for their characteristic odor that is reminiscent of roses. Although difficult to directly communicate, with enough firsthand experience scents can become a memorable and powerful means of wood identification.

Fluorescence

While certain woods can appear basically identical to one another under normal lighting conditions, when exposed to certain wavelengths—such as those found in blacklights—the wood will absorb and emit light in a different (visible) wavelength. This phenomenon is known as fluorescence, and certain woods can be distinguished by the presence or absence of their fluorescent qualities. See the article Fluorescence: A Secret Weapon in Wood Identification for more information.

Black Locust: fluorescence (under blacklight)
Black Locust (Robinia pseudoacacia) glows a bright yellow-green when placed under a blacklight.

Chemical Testing

There are only a small number of chemical tests regularly used on wood, most of which are very specialized and were developed to help distinguish easily confused species with one another. They work by detecting differences in the composition of heartwood extractives. A chemical substance (called a reagent) is usually dissolved in water and applied to the wood surface: the surface is then observed for any type of chemical reaction (and accompanying color change) that may occur. Two of the most useful are the tests that are meant to separate Red and White Oak, and Red and Hard Maple.

Heartwood Extractives Leachability

Sometimes a wood species will have heartwood extractives that will be readily leachable in water and capable of conspicuously tinting a solution of water a specific color. For instance, the heartwood extractives contained in osage orange (Maclura pomifera) contain a yellowish-brown dye that is soluble in water. (This can sometimes be observed anecdotally when the wood is glued with a water-based adhesive: the glue’s squeeze-out is an unusually vibrant yellow.)

In a simple water extract color test, wood shavings are mixed with water in a vial, test tube, or other suitably small container, and the color of the water is observed after a few minutes. If the heartwood extractives are leachable by water, then a corresponding color change should quickly occur.

In addition to osage orange (Maclura pomifera)merbau (Intsia spp.), and rengas (Gluta spp. and Melanorrhoea spp.) are also noted for their readily leachable heartwood extractives. Because this property is quite uncommon, it can serve to quickly differentiate these woods from other lookalikes.

7. Look at the endgrain.

Perhaps no other technique for accurate identification of wood is as helpful and conclusive as the magnified examination of the endgrain. Frequently, it brings the identification process from a mostly intuitive, unscientific process into a predictable, repeatable, and reliable procedure.

Looking at the endgrain with a magnifier shouldn’t be a mystifying or esoteric art. In many cases, it’s nearly as simple as examining small newsprint under a magnifying glass. There are three components necessary to reap the full benefits contained in the endgrain:

I. A prepared surface.

When working with wood in most capacities, it becomes quickly apparent that endgrain surfaces are not nearly as cooperative or as easily worked as face grain surfaces. However, in this case, it is absolutely critical that a clear and refined endgrain surface is obtained.

For a quick glance of a softwood sample, a very sharp knife or razor blade can be used to take a fresh slice from the endgrain. However, in many denser species, especially in tropical hardwoods, one of the best ways to obtain a clear endgrain view is through diligent sanding. It’s usually best to begin with a relatively smooth saw cut (as from a fine-toothed miter saw blade) and proceed through the grits, starting at around 100, and working up to at least 220 or 320 grit, preferably higher for the cleanest view.

II. The right magnifier.

It need not be expensive, but whatever tool is used to view the endgrain should have adequate magnifying power. In most instances, 10x magnification is ideal, however, anything within the range of 8 to 15x magnification should be suitable for endgrain viewing. (Standard magnifying glasses are typically in the range of 2 to 4x magnification.)

These stronger magnifiers, sometimes called loupes, usually have a smaller viewing area than standard magnifying glasses. Fancier models—with built in lights, or larger viewing surfaces—are available at a premium; but the most basic models are usually only a few dollars.

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III. A trained eye.

The third element that constitutes a proper endgrain examination is simply knowing what to look for. In analyzing the patterns, colors, shapes, and spacing of the various anatomical features, there is a veritable storehouse of information within the endgrain—all waiting to be unlocked. Yet, if these elements have not been pointed out and learned, the array of features will simply seem like an unintelligible jumble. The discipline of recognizing anatomical endgrain features is not easily summed up in a few sentences or even a few paragraphs, but it is nonetheless critical to the identification process. To this end, an in-depth look should be given to the various categories, divisions, and elements that constitute endgrain wood identification on the macroscopic level. (In this regard, macroscopic denotes what can be seen with a low-powered, 10x hand lens—without the aid of a microscope—rather than simply what can be seen with the naked eye.) Because the anatomy between softwoods and hardwoods is so divergent, each will be considered and examined separately:

Still stumped?

If you have a mysterious piece of wood that you’d like identified, you’ve got a few options for next steps:

USDA’s Forest Products Laboratory

You can mail your physical wood samples to the Center for Wood Anatomy Research

Pros:

  • Free
  • Professional wood identification

Cons:

  • Only available to US citizens
  • Slow turnaround times (up to a month or more)
  • Limited to three IDs per year

See their Wood ID Factsheet for more info.

Alden Identification Service

You can mail your physical wood samples (even small sections taken from antiques) to Alden Identification Service.

Pros:

  • Professional wood identification
  • Faster turnaround times (ranging from a few days to a week or two)

Cons:

  • Paid service

See their ordering page for more info. (Note that Harry Alden has written several books while at USDA, including both Hardwoods and Softwoods of North America.)

Ask for help online

If the wood ID is merely a curiosity, or non-critical, you can post pictures of the wood in question.

Pros:

  • Free
  • No need to send physical samples

Cons:

  • Greatly limited by the quality of the pictures provided
  • Extra work usually required to get adequate clarity in photos

See article of Common US Hardwoods to help find the most commonly used woods.

Get the hard copy

wood-book-standupIf you’re interested in getting all that makes The Wood Database unique distilled into a single, real-world resource, there’s the book that’s based on the website—the Amazon.com best-seller, WOOD! Identifying and Using Hundreds of Woods Worldwide. It contains many of the most popular articles found on this website, as well as hundreds of wood profiles—laid out with the same clarity and convenience of the website—packaged in a shop-friendly hardcover book.
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Terry

I just added your book to my wishlist. I have some reclaimed material from a home built in the 40’s in the northwest. The flat stock looks like vg fir as do the moldings, with the exception that they are both brown all the way through, not just on the surface due to UV exposure. when cut it has that familiar smell of old full dimensional lumber. Looks like fir. Smells like fir. But it’s brown, like a brown cedar. Is old growth fir brown? The material was milled 80 years ago so the tree is a few hundred years… Read more »

Terry

Here’s a picture of the molding. If freshly cut it looks the same.

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Terry

This will seem far fetched based on what I’ve said so far, but I’m starting to think this is old growth vertical grain western red cedar. It’s harder than I would expect and it has only the slightest aroma when cut that doesn’t resemble cedar at all, but having never worked with 80 year old cedar it took me a while to come to this conclusion. I’ve been a carpenter for 35 years and I worked in a specialty plywood mill for 4 years as a young man. We actually made cedar plywood and that smell is etched in my… Read more »

Terry

I’m familiar with the odor of both, but this material has essentially no odor. I thought I got a hint of something initially when I cut it that smelled like old full dimensional lumber, which doesn’t smell anything like modern framing material, but I’m not getting that now and no one else is either. In fact no one smells anything. The color reminded me of cedar, but the grain looked like VG fir, so I headed down that path, but I think this is what a 200 year old tree looked like when milled 80 years ago. The grain is… Read more »

Jen

Hello. Any suggestions as to this wood type? I am refinishing a desk for my daughter. This has been sanded.

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Jen

Thank you. This was the sanding after 80 grit. I continued to 220 for a nice smooth finish.

Joe

Hey Eric, found these in a 1930’s kitchen. Wood is sanded and unstained. No knots, scratches with a fingernail. Any guesses?

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Joe

Thanks Eric!

Francine

Hello Eric, thank you for the awesome post. I purchased a house last year that has lots of wood paneling. It might be real wood? Do you believe this is normal knotty pine? Thank you so much!

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Francine

The house was built in ‘57 and am from the Northern Illinois area. I really love the house and it has so many other types of wood also. Thank you again!

Jeepershomestead

I’m working on some tables from my husband’s late uncle. I am under the impression they are from the 70s-80s. Just this small end table weighs 75lbs alone. I am just curious what they are made of and hope you can help. First photo is not sanded. The second one is. I can take a better picture if you need one.

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Last edited 4 years ago by Jeepershomestead
Oren

Dear Eric, thank you for this article! I have a (very big) closet that came with the house. I want to renovate it, maybe paint it, but I don’t know what it’s made from. I don’t think it’s wood. I would really appreciate your diagnose. Thank you very much.

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Oren

Wow thank you so much!! I was sure it’s not a real wood. Should I paint it with oil based paint or a latex paint can work as well? Thank you very much

Sean

What type of wood is this? Would it be good for making an out door sign?

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KassieC

what type of wood is this? i bought this at an antique shop and was curious.

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KassieC

thank you!

Catherine Stanley

Dear Eric,

I bought this trestle dining table from my friend when she moved back to Ireland. This farmhouse table was shipped from her moms estate in Ireland. I would like to know what type of wood it is.

I can’t manage to attach photos, so here is link to them in Google Photos: https://photos.app.goo.gl/GVKGNe3iF52HEgZ48

Catherine Stanley

Thank you!

Stephanie

Hi Eric, thanks for the very helpful article! I just paint-stripped an old hope chest today and this is what was uncovered. Could you tell me what kind of wood it is? Many thanks!

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Catherine Stanley

I thought it was a veneer but top appears to be solid wood.

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Catherine Stanley

I can’t attach photos…. here is a link to photos: https://photos.app.goo.gl/1QeBHUdUaztva6437

One is bare wood that was under the top.

Judy kennedy

Any idea what this table is made of Thanks

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judy

The top of the table is very bright orangey, rich and the last one is underneat the table. I have sent another

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Judy kennedy

My tablet is not so good how about this one. It was a cheap table from eBay but I am wanting to match the wood

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judy

Thank you

Nicolae

Can anyone say what kind of wood it is? It’s from an old furniture in Belgium, so very likely an European species.
It does look like beech but the color puts me off – while all the beech I have seen is white – yellow – pink this one is much more browner.

Any idea?

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Nicolae

Thanks for the info. You are right, probably it’s some sort of red oak which I read is quite spread in Europe although not native.

Greg Sutton

Has quite the fragrance!

Greg

Southeast Florida. It’s quite heavy and not as soft as the common red cedar. However, the knots look very familiar with regards to cedar. Thanks for replying.

Greg Sutton

Planed this down and revealed this

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Paulo Trigueiro

Hello! I followed your guide from start to finish, and last i sand it to get the original colour from its grey. But still have no clue. I’m in brazil northeast and this is a door meant to go outside. Do you have an idea what it may be? I’m a woodworker wannabe and intend to make it into a table. If i don’t find out what wood it is i’ll just buy some massaranduba to make the table feet.

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Paulo Trigueiro

I have researched a LOT in the internet and now I am very inclined to believe it is Acapu, a tree found in one state of north Brazil and in Guyanas. Doesn’t absorb humidity and it is very heavy and dense! It’s great

Vanessa

Thanks for all the info! I just bought an old home and can not figure out what the different hardwoods are throughout the house. Any ideas?

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Kimberly Gill

Dear Eric,

What type of wood do you think this might be? We plan on building a fire place mantle and would like them to look like they belong together. Do you think you could suggest types of wood and stains and laquers or wax and things of that nature? We do not work with wood so much, so talk slowly ;)

In Christ,
Kimberly Gill

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Oliver

Would anyone know what wood this table and chairs are made our of? thanks

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Deb

Anyone able to identify this wood? I sanded down an old dresser and am having a difficult time determining from comparing to online pics! Thx!

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Darnell Billings

What types of wood are on the floor and stairs/banister

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Darnell

I saw some descriptions as gumwood but idk

Fred

Anyone recognize this wood? It’s flooring in the upstairs of circa 1899 commercial building in Middle Tennessee. I’ve been sanding on it, and the sawdust is distinctly red.

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Fred

Wouldn’t there normally be knots in pine flooring?

Fred

Thanks for the info. I noticed when sanding on it that the dust has a very distinct smell that seems familiar. Since I grew up in FL where there was nothing but pine trees, that could explain it. I’m sure the wood came from old growth trees so no knots would make sense.

Natalie

Wow, great article! I’m trying to figure out what type of wood this table is made out of. It is solid wood for sure, it weighs literally 100lbs, but I can’t tell because it is stained.

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DEANNA

Trying to determine the wood. Thinking maple? Table is circe 1920. Unfinished..and small clear coated section.

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Abby

Inherited this 20ish y.o. dining table and chairs. Solid wood, any ideas on what kind? Chair has recently been sanded, tabletop has not.

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Zaid

Hi Eric,
Thank you for the comprehensive article.
Can you help me identify what kind of wood is this old kitchen cupboard door is made of please?
It broke recently and has been fixed with glue and plates, but a crack is still slightly visible so I am trying to see if I could use some wood filler to fill the gap.

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Mark

What is this banister built in 1965 made of?

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Peter Karam

What type of wood is this? I feel it’s a veneer but I’m not too sure… need to sell it and I want to be accurate with my description. Thank you in advance!

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Jesse Martinez

Hello I am a painting contractor remodeling a 100 year old home. We have 200 year old door we are working on and need help identifying what type of wood this is, can you help?

Last edited 4 years ago by Jesse Martinez
Tom Eames

Any idea on wood type in this cutting board?

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Stacy L Leach

What type of wood is this

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Cynthia Haakana

What is the ceiling and the bannister rails made out of? And the big beam?

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Cynthia Haakana

House built in 1975 and in Minneapolis Minnesota. The short pieces are part of my railing and I am trying to buy 2 x 2 so the railing will be up to code. They are stained a dark color. I tried to stain some pine and it does not look like a match to the grain at all. They have a lot of knots too.

Betty

My brother is cutting some wood not sure what kind

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Betty

The 3 planks are lying on an ash tree. These are not from that tree. You can see the bark of the tree In The other photo where they are lying on the ground. This is in southwest Nebraska

Betty

My brother is cutting some trees not sure what type though. Southwest Nebraska

Centaine Streep

Hi, could someone please help me identify what type of wood this is?

Delaney

Hello! Can you help me identify my wood floor? I’m hoping to stain it but don’t know what type of wood it is.

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Nestor

Also trying to identify this wood. I was told what was it but I forgot. Thank you.

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Nestor

Nobody knows what this is?

Nestor

I was told it is walnut? Im in Virginia. Is heavy and probably harder than the oak. Light smell. Thank you.

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Nestor

The rectangular piece is 1.5” x 1.5” 3.5” and weights 75g. It was locally cut and I’m almost positive he said walnut. The processed piece (the pipe) has a coat of cutting board oil. If it is local to VA, what else can it be?

Nestor

Thank you.

Miles

Hi! Does anyone know what type of wood this is?

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Miles

Oh right! I thought it was likely to be a hard wood – possibly mahogany based on the tight grain and its smooth feel. I’ve attached another picture showing the grain more clearly just in case :)

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Carri

Hello! Can anyone identify what type of wood this is please? Thank you

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Retief Gerber

Could someone please help me identify this wood. Very hard, dense and heavy. Hard to cut and has a distinctive smell when cut, though the smell does not last long. Don’t know how to describe the smell.

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Jordan Pope

I found this block of wood at a local wood craft shop and the people that work there couldnt identify it. They said they cut it in half to see if it was stained and its the same all the way through. I have more picures of different angles if you need them.

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Jordan Pope

The glue is where they cut it and glued it back together

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Tammy S. Coffman

Can you identify this wood? Heavy, feels solid but hard to tell, purchased from an Interior Designer in 2001. Just noticed a “China” stamp on the bottom. I’ve never liked the red hued stain and have decided to refinish. This is after stripping before sanding.

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Nestor

Can somebody help me identify this wood. A friend gave me some scraps to make pipes and I’m having a hard tome (lack of knowledge). Thank you.

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Nestor

It looks more pinkish than the picture and is dense and heavy but my nail will sink half a mil in the light color part with some effort. Is that consistent with yellow pine? Thank you.

Nestor

Thank you.

G Green

Can anyone identify this wood flooring? I’m in MI, home is approx 150 years old. It has been sanded bare.

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PSMITH

Hoping you can help. I am trying to clean up an art deco waterfall dresser . i know it is veneer and i know there are solid woods, but I don’t know if it all walnut or if there is a mahogany in there as well as the zebra wood. I am going to make some adaptions to repair the bigger pieces of veneer and want to get it right.

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PSMITH

Thanks. I was thinking it was walnut .. and, some of the drawers are VERY dark and I cannot imagine them being mahogany, but with the art deco waterfall … you never know. I used Boiled linseed oil on the top .. just to feed the wood. We will see what happens with the rest. Thanks, again.

Rich Clarke

Help from the U.K.!!! These beams are from a barn roof structure (untreated timbers are the purlins) the king post is stained with a light oak wood dye which has worked fine but darkened the purlins considerably so I believe they’re different types of timber. I think the roof construction is about 100 years old. Grateful if anyone can identify the timber in the picture of one of the untreated purlins???? TIA

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Michael Ross

Please help, I’m trying to make extra leafs for this beautiful Eastlake table I’m bringing back to life and have no idea what the top already is.

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Sara

Oh, please, please, please, help me identify this wood-definitely solid.. no veneers for sure.. It was a 4-5ft wide gentleman’s chest, almost 5ft tall. I’m broken-hearted. It was stolen from me and I need to quantify the damages.

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Carla

I bought this table in North Carolina in 2006. The wood is soft- gouges and scratches fairly easily. Any ideas what it might be?

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Carla

Thank you got the reply, Eric. Here’s another angle. I contacted Furnitureland South where I purchased it in 2006 but they didn’t have record. A designer there tried to help and looked at this photo and thought burlwood? Doesn’t look like any burL wood I’ve seen?

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Carla

It’s also quite heavy

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